However,t feels like the Fujifilm X-T5 is a welcome evolution of the X-T series, rather than a revolution. So it really comes down to what you want and what shoot. Because of the higher buffer, the X-H2 also has a CFExpress card slot.
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The X-H2 also has a bigger buffer, better movie functionality and can shoot up to 8K, with a better viewfinder. The X-T5 is a more 'traditional' enthusiast camera in both looks and handling, while the X-H2 is for professionals. You might be wondering why you'd buy the Fujifilm X-T5 over the X-H2 – as they both share the same sensor and processor. Three-way tilting LCD won't please everyone Read our full Panasonic Lumix S5 IIX review for more details. Even if RAW video capabilities weren’t an immediate interest of mine, ALL-I compression, the ability to shoot directly to SSDs and streaming functionality would have been enough to tip the balance in its favor over its stablemate and the competition. If you’re a creator or a filmmaker who needs a top-tier hybrid camera that’s compact and can produce content that slips into professional workflows, without compromising on image quality, the Lumix S5II X makes a compelling case for itself. What’s most impressive here is that the S5II X doesn’t compromise S5II features to add extra video functionality, in fact, it added some features straight out of the box, including better AF and Live View Composite mode that only came to the S5II via firmware update. There is a lot of competition in this camera class, and while the regular Lumix S5 II may be the best overall value camera at this price point, the S5II X opens up some great use cases for solo filmmakers at a relatively small bump in price. Articulated screen twists into HDMI cable path
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